They are first seen in the administrative coldness (with one child less, your social benefits go down by 170 euros) and then bring on a generalized apathy: horror in order to live, a code of silence to survive.

An unnerving story about a horrid family drama kept behind closed doors, and an elaborate facade where appearances can be deceiving, and nothing is as it seems. Be the first to contribute! At first glance, nothing would suggest that this modest and well-educated family is in fact riddled with secrets and the absolute power of a control maniac whose values are questionable to say the least. But the family’s irregular reaction to her “accident” draws suspicion from observers. But, in the end, as one unwillingly unravels the sinners' blood-curdling mysteries kept behind closed doors, the plunge into the depths of the human soul and the unfathomable secrets within is inevitable. Did you enjoy reading this article? But the family’s irregular reaction to her “accident” draws suspicion from observers. Domestic violence, incest, prostitution, moral subjugation, paedophilia, the charges are numerous but Avranas is very subtle in the narration during the first hour of the film in the way that he suggests most of these elements and covers the tracks of the family genealogy. However, is any of this real, or is this an elaborate facade? While Miss Violence pushes the limits of decency a bit further when it comes to dysfunctional families, the ending can be interpreted as a burst of hope that it is perhaps possible to struggle out of the ambient lethargy. Cineuropa is the first European portal dedicated to cinema and audiovisual in 4 languages. It looks like we don't have a Synopsis for this title yet. | With daily news, interviews, data bases, in-depth investigations into the audiovisual industry, Cineuropa aims at promoting the European film industry throughout the world. Country singer Lindsay Ell has revealed she was a victim of sexual assault twice in her life. An unnerving story about a horrid family drama kept behind closed doors, and an elaborate facade where appearances can be deceiving, and nothing is as it seems. Please subscribe to our newsletter to receive more stories like this directly in your inbox. | Welcome to a platform where professionals can meet and exchange information and ideas. Everything is in order, and all the ingredients of a usual birthday gathering are here: a nice and big sugar-glazed cake, happy music, a caring grandfather's embrace--a truly loving family environment. The notions of devaluation / degradation are very present in the screenplay which multiplies money exchanges on the cheap. Plot Keywords Taglines Use the HTML below. To celebrate Aggeliki's eleventh birthday, a well-organised party is held in her honour. There are movies that take the bold responsibility of tackling difficult subjects. When Greek director Alexandros Avranas takes on family values, he does it with a sordid literality.

In Miss Violence [+see also: trailerinterview: Alexandros Avranasfilm profile], his second film after the nationally acclaimed Without, he deals with a family man who has found a rather unorthodox way of making money out of the members of his family.

In ‘Miss Violence,’ a young girl jumps to her death on her 11th birthday. Just click the "Edit page" button at the bottom of the page or learn more in the Synopsis submission guide. In Miss Violence [+ see also: trailer interview: Alexandros Avranas film profile], his second film after the nationally acclaimed Without, he deals with a family man who has found a rather unorthodox way of making money out of the members of his family. Miss Violence (2013) Plot. Contact us | Logos and banners | Change privacy settings, Mission | Structure | Partners | Team | Participate | Donations | Terms and conditions, (The article continues below - Commercial information), Interview: Alexandros Avranas • Director, SAN SEBASTIÁN 2017: We talked to Greek director Alexandros Avranas about the sheer extremity of, The Hellenic Broadcasting Company supports 16 film projects, Tassos Boulmetis’ nostalgia-laced sports film, Argyris Papadimitropoulos’ coming-of-middle-age drama has picked up six awards, including Best Picture, while, French sales agents on the rampage at the Cannes Film Market, The shoot wraps for Emmanuel Poulain-Arnaud’s, Carole Scotta, co-founder of Haut et Court and co-president of the Reunited European Independent Distributors (DIRE), analyses the current crisis and evaluates recovery options, We talked to Elise Jalladeau and Orestis Andreadakis, general director and artistic director of the Thessaloniki IFF, about the upcoming online edition, unfolding from 5-15 November, Swedish director Lisa Langseth talks about accidentally giving birth to Netflix series, We talked to Boris T Matić, the director of the Zagreb Film Festival, which is celebrating its 18th edition this year and happening entirely online from 8-15 November, Silver Lion for Best Director, Volpi Cup for Best Actor (Themis Panou), Reykjavik International Film Festival 2013. Once the cat is out of the bag, the audience is taken hostage by the camera which becomes less shy and the gang rape scene of the teenager ends any remaining presumption of suggestion. When Greek director Alexandros Avranas takes on family values, he does it with a sordid literality. Cruelty could then be blamed on the economic crisis.

“The Greek cinematography industry functions like a lobby”, Miss Violence, by Greek director Alexandros Avranas, was presented in several festivals but still awaits recognition in its own country, “Sadism is a good way to talk about the end of morality”, SAN SEBASTIÁN 2017: We talked to Greek director Alexandros Avranas about the sheer extremity of Love Me Not, screening in San Sebastián’s Official Selection, SAN SEBASTIÁN 2017: Greek filmmaker Alexandros Avranas offers a glimpse of the death of morality in a decadent society thrown into financial and ethical crisis, 26/09/2017 | San Sebastián 2017 | Competition, The Greek public TV station is backing 16 Greek and international co-productions in its first round of financing for this year, The acclaimed director probes a legendary event in the world of basketball that marked Greece last century, Argyris Papadimitropoulos’ coming-of-middle-age drama has picked up six awards, including Best Picture, while Mythopathy followed with three, Alexandros Avranas misses the target in his second film, critically assisted by the clunky mix of US and European approaches to production, 14/10/2016 | Warsaw 2016 | Special Screenings, The filmmaker brings together a cast comprising Vincent Lindon, Izïa Higelin and Séverine Caneele for this Les Films du Lendemain production being sold by Wild Bunch, 12/11/2015 | Thessaloniki 2015 | Industry, 06/11/2020Films / Reviews – Germany/Slovakia, Subscribe to our newsletter to receive the most important daily or weekly news on European cinema, European titles submitted for the Oscars race, The European film industry strives to find its way through the second wave of the coronavirus, The rock of Patti Smith opens the 61st Festival dei Popoli, The shoot wraps for Emmanuel Poulain-Arnaud’s Le Test, Watch on Cineuropa: Stunning women-helmed films from the decade, “If we don’t preserve cinema’s specific financing, it will be dead in a few years”, Giona A Nazzaro is the new artistic director of the Locarno Film Festival, REPORT: Czech Joy in the Spotlight@Ji.hlava 2020.

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