2) Broadening professional computational making through computational fabrication technologies. A composer of mixed media works, she received her Ph.D in 1984 from the Eastman School of Music, University of Rochester. I work across the fields of computational art and design, human computer interaction, and systems engineering. Department of Germanic and Slavic Studies. Office: ED 3230 Office: ED 3262, University of California, Santa Barbara 1. of Chicago Press is Local Transcendence: Essays on Postmodern Historicism and the Database. Specialization: Software/Network Art, Information Mapping/Visualization. In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. Reflecting that emphasis, she is one of the principal developers of the Regional Hydro-Ecologic Simulation System (RHESSys), an integrated model of spatially distributed carbon, water, and nitrogen cycling. BEng, Systems Design Engineering, University of Waterloo, Canada. Fax: (805) 893-8736 He was the lead DSP developer for Ableton Live, authoring an array of sound processing algorithms that are now used in music production across the globe. His current major project, which he started in 2005 as a University of California multi-campus, collaborative research group, is Transliteracies: Research in the Technological, Social, and Cultural Practices of Online Reading. Website: ecl.mat.ucsb.edu The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Interested candidates should contact us. McCray entered the historians profession via his background in materials science and engineering. Jennifer Jacobs and Leah Buechley Codeable Objects: Computational Design and Digital Fabrication for Novice Programmers. tepapp@education.ucsb.edu Cyborgs and Space. In 2008, CREATE released EmissionControl, a new program for sound granulation written by David Thall in consultation with Curtis Roads. Dr. Sen has been awarded more than $2.2 million in research funding, including an NSF CAREER award in 2009. Center for Black Studies Research 4603 South Hall University of California Santa Barbara, CA 93106-3140 T 805.893.3914 F 805.893.7243 E cbsr-assistant@ucsb.edu. 2. and B.F.A from Hunter College and the University of Oregon respectively. Faculty. Jennifer Jacobs worked as a Peloton instructor until her departure in 2019. Legrady's artistic works have been supported by awards from the Creative Capital Foundation, the Daniel Langlois Foundation for the Arts, Science and Technology, the Canada Council for the Arts, the National Endowment for the Arts, and a John Simon Guggenheim Fellowship in Visual Arts in 2016. 293: amber.moran@ucsb.edu Department of Electrical and Computer Engineering. His research partners included Garry Kling, Bob Sturm, Aaron McLaren, and John Shynk. Donate to the Lab. Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. MFA San Francisco Art Institute. H thng khng th thc hin thao tc ngay by gi. ::dRUbN8(KAfjp-ip,.>J@ ,(KZT* ]/ 5CPb ti( 1NpqA PPw Ef} -F`Ivp5L1D0D1dLd7& The visualization is scheduled for operation until 2019, with approximately 30000 items checked-out per day resulting at this time, in a collection of over 90 million datasets. He has been teaching at Chinas Central Conservatory of Music since 2003 (electronic music composition). Ecohydrology and Ecoinformatics, PhD, Geography, University of Toronto, Canada All Rights Reserved. Public figure. 0000007933 00000 n From 2014-2015, she was a Robert Wood Johnson Foundation wellbeing research fellow at the Media Lab. We need new ways of conveying and accessing information, without requiring undue effort or attention on our part. Research has been funded by the National Science Foundation, the Robert W. Deutsch Foundation, UCSB Center for NanoTechnology in Society, University of California Faculty Senate Research Grants, University of California Institute for Research in the Arts. Work Beyond this, Tobias's main research interests lie in virtual reality, 3D displays and interaction, visualization, mobile and wearable computing, and adaptive user interfaces. His publications include several articles in journals and a book on 20th century music theory. Ken is on the editorial board of the Journal of Organised Sound and advisor to the Electroacoustic Music Studies Asian Network (EMSAN). Computers are increasingly displacing many manual practices in favor of procedural, generative, and automated production. Her projects have been exhibited internationally, in venues such as The Walker Art Center (Minneapolis), Banff Centre for the Arts (Canada), The New Museum (New York), The Swedish National Public Art Council (Stockholm, Sweden), and the Biennial at the Whitney Museum of American Art (New York). During the series of World Information.org projects, he has installed several communications mapping and interception systems and projects and his research led him to map the command and control communications networks and response during the Srebrenica genocide. Her research has received extensive media coverage from leading media outlets (e.g., from Engadget, UploadVR, MIT Tech Review and Forbes India) and has drawn the attention of industry research, such as Samsung and Unity 3D. He has been working on the Makrolab, a project that focuses on telecommunications, migrations and weather systems research in an intersection of art and science from 1997-2007, the Interpolar Transnational Art Science Constellation during the International Polar Year (project 417) and is currently coordinating the Arctic Perspective Initiative art/science/tactical media project focused on the global significance of the Arctic geopolitical, natural and cultural spheres together with Matthew Biederman. Jennifer Jacobs. From 2008-13, he held the position of Canada Research Chair in Telemedia Arts (University of Calgary). 0000004917 00000 n Since that time he has taught at Ohio State, University of Texas Austin, the Architecture program at UCLA, the Digital Media program at UCLA, and the Art Center College of Design, in Pasadena. Media Arts and Technology. Before joining the faculty at UCSB, he served as postdoctoral researcher in the DFG SPP "The Digital Image", associated researcher in the Critical Artificial Intelligence Group (KIM) at Karlsruhe University of Arts and Design, and Assistant Curator at ZKM Karlsruhe, Germany. He is former Media Arts & Technology department chair (2013-2017). A pioneer in the development of granular synthesis (1974), he also developed (with Alberto de Campo) the program PulsarGenerator (2001), distributed by the Center for Research in Electronic Art Technology (CREATE) at UCSB. Pradeep Sen is a Professor in the UCSB MIRAGE Lab in the Department of Electrical and Computer Engineering at the University of California, Santa Barbara. He received his Ph.D. in Electrical Engineering in June 2006, advised by Dr. Pat Hanrahan. Cc bi vit c nh du. She is also affiliated with UCSB's Center for Responsible Machine Learning (CRML). 0000001534 00000 n In 1988 he was Director of Music of the XIVth International Computer Music Conference, held that year in Cologne. University of California, Santa Barbara A fully updated and accurate Bio-Bib is exceptionally important because this is the official record . Jeremy Jacobs Jeremy Jacobs. He completed a postdoctoral fellowship at Stanford University, where he also earned his MS and PhD in Mechanical Engineering. Since then, Jennifer had been continuing to work on her "JMETHOD" brand, as well as teaching classes through "Ladder Teams" platform . 0000002849 00000 n At UCSB, he is affiliated with the Media Arts and Technology program, the Comparative Literature program, and the Center for Responsible Machine Learning. 1,160 following. Our goal is to create human-machine systems that extend the body and the mind, leaving us free to learn, to create, to think and to feel (Clynes and Kline. 7L\:v~7Yma{f-]"+P n]eph&dk@KAn+l94#sPkJ\Weje*KP Wl". Research Assistant, MIT Media Lab Cambridge, Massachusetts, 2011-2017 hb```b``b`a``cad@ A6 daxP`Bca4 R@9Tjx5n$_L]r0:G\KE. In 2000 she began the creation, design, and development of a Digital Media Center within the California Nanosystems Institute. His composition Clang-tint (1994) was commissioned by the Japanese Ministry of Culture (Bunka-cho) and the Kunitachi College of Music, Tokyo. He studied acoustic and electronic composition from 1968-73 at Cologne Music University as well as sonology from 1971-72 at Utrecht University. Chandra Krintz is a Professor at the University of California, Santa Barbara (UCSB). In the mid 90s, his contribution to Inteational architectural discourse was further expanded by the coining and definition of the term "Transarchitectures" His approach: "we conceive algorithmically (morphogenesis); we model numerically (rapid prototyping); we build robotically (new tectonics); we inhabit interactively (intelligent space); we telecommunicate instantly (pantopicon); we are informed immersively (liquid architectures); we socialise nonlocally (nonlocal public domain); we evert virtuality (transarchitectures)". Misha received her PhD at the MIT Media Lab in 2018. Specialties: computer vision, human-computer interaction, multimodal/perceptual interfaces, gesture recognition. 0000007725 00000 n He worked in interactive art and design R&D at FoAM, Belgium, at the Interaction Design Institute Ivrea, and at the art+technology organization Zero-Th, which he co-founded in 2005. All artwork and text on this site are the exclusive copyrighted works ofthe artist or author. GH Jacobs. Rooms 2024 and 2005, Elings Hall. M. Arch+Certificate of Specialization in CAAD (Computer Aided Architectural Design), Ohio State University, Professor (specialties: Media and Virtual Architecture, Transvergence, TransArchitecture). Santa Barbara CA 93106-9490. The Experimental Visualization Lab (ExpVisLab) is one of 7 dedicated research labs in the Media Arts & Technology arts-engineering program at UCSB. He was in charge of computer music from 1982-1994 at the Darmstadt Summer Courses for New Music and from 1984-2005 at Cologne Music University. He undertook speech recognition research at Vocal Point Inc., now part of Nuance (makers of Siri), and sonar R&D at ARL Austin. We develop domain-specific programming languages that allow practitioners to extend and modify software tools as they create. Chandra has supervised and mentored over 40 students, has published her work in a wide range of ACM venues including CGO, ECOOP, PACT, PLDI, OOPSLA, ASPLOS, and others, and leads several educational and outreach programs that introduce computer science to young people, particularly those from underrepresented groups. Jennifer Jacobs is a Ph.D. candidate at the MIT Media Lab in the Lifelong Kindergarten Research Group. Department of Mechanical Engineering. Jennifer Jacobs, USA, is Assistant Professor at University of California, Santa Barbara, in Media Arts and Technology, and director of the Expressive Computation Lab. He was Editor and Associate Editor of Computer Music Journal (The MIT Press) from 1978 to 2000, and cofounded the International Computer Music Association (ICMA) in 1979. Professor Jennifer Jacobs. In addition to this research, McCray is starting a new pilot project which considers the interaction between scientists, engineers, and artists during the first three decades of the Cold War. A state-of-the-art research and teaching facility. Department of Computer Science. 51:6000-6019. He has authored more than 60 scientific articles, and has edited two books on immersive virtual reality. We focus on supporting . Dr. Visell spent more than five years in sound, signal processing, and interactive technology research at leading technology companies. She was recently given the Creative Capital Award, the LACMA Art + Tech Lab Grant, the Steve Wilson Award from Leonardo, the International Society for Art, Sciences, and Technology, Carolyn Glasoe Bailey Foundation Art Prize, and the Craft Futures Grant from Center for Craft. She was Chief Scientist of the Program from 1998 to 2003. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Lisa Jevbratt's work - ranging from internet visualization software to biofeedback and interspecies collaboration - is concerned with collectives and systems, the languages and conditions that generate them, and the exchanges within them. Connect With UC SANTA BARBARA. Organizations from academia, industry, government, and the non-profit sector that collaborate with UChicago CS. JENNIFER JACOBS Updated: December 9th, 2022. Lab: room 3005 (Systemics Lab), Elings Hall. Rhetoric, UC Berkeley; MA English Language and Literature, University of Maryland). Department of Computer Science. 0000001180 00000 n His musical and multimedia work has included diverse collaborations and media with an emphasis on interactivity and user involvement. She has presented her work and research at places such as Blum & Poe Gallery, LACMA, Frieze LA, and SOMArts Cultural Center. brennan boesch career earnings cameron boyce funeral cameron boyce funeral Department of Music. estabrook@ucsb.edu for a Member company and forgot your password. 320: 1983: Cone-based vision of rats for ultraviolet and visible lights. Jennifer Jacobs is Assistant Professor in Media Arts and Technology and Computer Science (by courtesy) at the University of California, Santa Barbara. His research includes haptic engineering and perception, robotics, human-computer interaction, analog, digital, and spatial sound, motivated by emerging opportunities in human-computer interaction, sensorimotor augmentation of the human body, soft robotics, and interaction in virtual reality. Dr. Visell is a faculty member at UC Santa Barbara, in the Media Arts and Technology Program, Electrical and Computer Engineering Department, and Mechanical Engineering Department (by courtesy). 0000054815 00000 n Peljhan has also been the flight director of ten parabolic experimental flights in collaboration with the Microgravity Interdisciplinary Research initiative and the Yuri Gagarin Cosmonaut Training Centre, creating conditions for artists to work in alternating gravity conditions. David Young 0000103163 00000 n Technical Director, AlloSphere Research Facility. From 1990-94 he was Artistic Director of the Institute of Sonology at the Royal Conservatory in The Hague, where from 1994-2006 he was Professor of Composition and Sonology. She has published at the most selective HCI and VR venues such as CHI, UIST, VRST, and DIS where she received multiple best paper awards and honorable mentions. He currently leads one of the CNSs research initiatives; this explores the history of nanotechnology and its place in the broader context of the 20th century science and technology. Login with your UCSB net ID to manage your events. Cc bi vit sau y c hp nht trong Scholar. JENNIFER JACOBS Updated: Oct 21st, 2019. She is the recipient of a Brain and Behavior Young Investigator Award, a Robert Wood Johnson Foundation . UC Santa Barbara Jennifer Jacobs Login to UC Santa Barbara. Email: alumni@alumni.ucsb.edu (805) 893-2957 tel (805) 893-4918 fax. Department of Film and Media Studies, 2018 Social Sciences and Media Studies Building. Tim Dewar Her research has been presented at leading human-computer interaction research venues and journals including UIST, DIS, SIGGRAPH, and, most prominently, at the flagship ACM Conference on Human Factors in Computing Systems (CHI), where she received two best paper awards and one best paper honorable mention award in the past four years. Sarah Rosalena Brady is Assistant Professor of Art at UC Santa Barbara in Computational Craft and Haptic Media. 0000002325 00000 n 0000008750 00000 n He studied organ performance, composition and architecture in Lisbon. Early life and education. He is also the director of the MAT Systemics Lab, located in Elings Hall. The Expressive Computation Lab (ECL) is a research group within the Media Arts and Technology Department at the University of California Santa Barbara directed by Prof. Jennifer Jacobs. Her research has been presented at international venues including SIGGRAPH, DIS, CACM, Ars Electronica and CHI, where her research has received multiple best paper awards. Supporting Expressive Procedural Art Creation through Direct Manipulation. Professor Add to Calendar 01/19/2023 02:00 PM 01/19/2023 03:00 PM America/Chicago Jennifer Jacobs (UCSB) - Expressive Computation: . Computers are becoming more ubiquitous, appearing in a proliferation of shapes and sizes. Dr. Cabrera is adjunct faculty in the Media Arts and Technology Program at UC Santa Barbara and received his PhD at Queen's University Belfast under the direction of Dr. Gary Kendall, a pioneer of computer music and spatial audio digital signal processing. She works across the fields of computational art and design, human computer interaction, and systems engineering. 0000001555 00000 n At UCSB he functions as professor at MAT, the Music Department (as Corwin Endowed Chair and Head of Composition) and the College of Creative Studies. His 2005 CD/DVD album POINT LINE CLOUD was re-issued by Presto!? His collection of electronic music compositions POINT LINE CLOUD won the Award of Distinction at the 2002 Ars Electronica in Linz and was released as a CD + DVD on the Asphodel label in 2005. The Slowscan label released in 2021 a collection of his electronic music on vinyl LP. Elliot W. Hawkes is an Assistant Professor of Mechanical Engineering at UCSB. Tobias Hllerer. Chandra's research interests include automatic and adaptive compiler, programming language, virtual runtime, and operating system techniques that improve performance (for high-end systems) and that increase battery life (for mobile, resource-constrained devices). Dennis Adderton is an Electrical Engineer with 20 years of experience in the design of scientific instruments and is currently employed as Technical Director for the Allosphere Research Facility, in the California NanoSystems Institute at UCSB. 0000001761 00000 n Professor Among his books are the anthologies Foundations of Computer Music (1985, The MIT Press) and The Music Machine (1989, The MIT Press). At UCSB, she directs the Creative Computing Initiative and co-directs Wireframe, a media studio that promotes collaborative theoretical and creative media practice with investments in global social and environmental justice. Providing UC Santa Barbara alumni a place to network and connect with fellow Gauchos; mentor and recruit students and young alumni; advocate for the UC system on a local, state or federal level; and much more. His studio in Beijing specializes in live music performance over highspeed networks. He studied electronic music and computer music composition at California Institute of the Arts (CalArts) and the University of California, San Diego (UCSD) and received a Doctorate from the Universit Paris 8. His work was exhibited internationally at multiple biennales and festivals (Venice, Gwangju, Brussels, Manifesta, Johannesburg, Istanbul), at the documenta X in Kassel, several ISEA exhibitions, several Ars Electronica presentations and major museums, such as the P.S.1 MOMA, New Museum of Contemporary Art, ICC NTT Tokyo, YCAM Yamaguchi, Van Abbemuseum and others. Associate Post Doctoral Research Fellow 0000005074 00000 n And we surely wouldn't want to. 0000004961 00000 n mscafide@ucsb.edu, Science (Biology, Chemistry, Earth Science, Physics) 0000055655 00000 n MFA Hunter College Research in HCI, with focus on AR/VR, InfoVis, 3D displays and UI, Computer Vision, contextual and social computing. Her current music research is focusing on a general purpose interface for control of digital information through natural performance gesture. Prior to UCSB, she was an Instructor at Harvard Medical School and the Department of Medicine/Division of Women's Health at Brigham & Women's Hospital. Candidates should have a solid technical background and a strong interest in art, design, or manufacturing applications of computation. Department of Art. 3. . Copyright 2023 The Regents of the University of California, All Rights Reserved. We envision a future for computational production where software and hardware tools are truly shaped by the people who use them. Professor ventana canyon golf membership fees; what ships are in port at norfolk naval base? Connect. His textbook The Computer Music Tutorial (1996, The MIT Press) is widely adopted as a standard classroom text and has been published in French (1999, third edition 2016), Japanese (2001), and Chinese (2011). Accessibility Hy th li sau. Department of English. Faculty-led research groups exploring research areas within computer science and its interdisciplinary applications. He is also principal investigator of the UCHRI multi campus research group "Critical Machine Learning Studies" (2021-23), and the international research project "AI Forensics" (2022-25), funded by the VW foundation. Hybrid Practice in the Kalahari: Design Collaboration through Digital Tools and Hunter-Gatherer Craft. 0000008235 00000 n Sir Moses Montefiore Jewish Home . Trained in computer science, design, and fine art, Jacobs received her Ph.D. He has also posited a new "Soft Babylon," a theoretical stance which posits that our digitized architectural palette is causing us to create a wired Situationist city, while we struggle with some of the massive paradigm shifts that our era will and must face. Gerald Jacobs received a B.A. Facebook; Instagram; LinkedIn; YouTube; jennifer jacobs ucsbhow to check how many warnings you have on roblox. 0000005687 00000 n Santa Barbara, CA 93106. 0000004076 00000 n At UCSB, she directs the Expressive Computation Lab, which investigates ways to support expressive computer-aided design, art, craft, and manufacturing by developing new computational tools, abstractions, and systems that integrate emerging forms of computational creation and digital fabrication with traditional materials, manual control, and non-linear design practices. Expressive Computation Lab. In spring 2016, she received the Silver Award in the annual Edison Awards Global Competition that honors excellence in human-centered design and innovation. 0000004690 00000 n Her research and teaching encompass environmental media, the history and theory of electronic media, game studies, science and technology studies, and sound studies. We create new hardware and software interfaces that allow practitioners to combine computational abstraction, automation, and generativity with direct-manipulation, manual control, and physical materials. He taught at Aveiro University (Portugal) and Federal University of Minas Gerais (Brazil). University of California, Santa Barbara. Each department, from Product Development to Customer Care, devotes their exceptional talent and skills to ensure the highest standards are met. He is a Fellow of the Optical Society of America and of the American Association for the Advancement of . Dr. Visell's directs the RE Touch Lab, leading fundamental and applied research on the future of interactive technologies. Distinguished Professor %PDF-1.4 % Jennifer Jacobs. To support this argument, I will present research across three categories: 1) Integrating physical and manual creation with computer programming through domain-specific programming environments. He has unique experience in HDLAs (High Density Loudspeaker Arrays) through his work in the Sonic Lab in the Sonic Arts Research Centre and the Allosphere at UCSB. Her first book, Whilst articulating highly fluent theory, he has practiced, producing beautiful ethereal architectures that flux and shimmer as his algorithms run their designed logics. She completed a masters of science in the High-Low Tech group and an MFA in Integrated Media Art from Hunter College. 0000000856 00000 n His music is available on compact discs produced by the MIT Media Laboratory, Wergo, OR, Mode, and Asphodel. This collection of links will get you to a load of information and resources you may find helpful while you're here. Media Arts and Technology/Expressive Computation Lab, University of California Santa Barbara, United States, Jennifer Mary Jacobs. His research interests include algorithms for image synthesis, computational image processing, and computational photography, and he is a co-author of over 30 technical publications, including seven SIGGRAPH/SIGGRAPH Asia publications. During 2008, Peljhan was appointed as one of the European Union Ambassadors of Intercultural dialogue. His book Composing Electronic Music: A New Aesthetic (Oxford University Press) appeared in 2015. In line with this vision, ECG builds new computational tools that enable artists, designers, and engineers to integrate core computational affordances with their own knowledge and practices. The software was tested in performances on the 48.4 speaker Klangdom of the ZKM, the 54.1 AlloSphere at UCSB, and the 28.2 sound system of the Mumuth in Graz, Austria. Her work is discussed in numerous books, for example, in "Internet Art" by Rachel Greene and "Digital Art" by Christiane Paul (Thames and Hudson). Single-Subject (SST, Secondary) Tim Dewar tdewar@ucsb.edu Office: ED 2218. In this talk, I argue that by developing methods to integrate computational production with manual and physical making, we can dramatically expand the expressive potential of computers and broaden participation in computational production. MS Massachusetts Institute of Technology Distinguished Professor, MAT Diversity Officer.
