movies shot on blackmagic 6k
The film itself was shot entirely in ProResHQ at 23.98 in 4.6K 2.4:1 aspect ratio.
This might be a temporary glitch and I’m sure it will be fixed. CFast 2.0 is expensive – CFast reader is a separate purchase. Too many! These cookies do not store any personal information.
How did you guys pull off that levitating shot? If you shoot at ISO 1000 or lower, you only get the option to change ISOs up to 1000. HDMI isn’t really that practical. We used a mix of tungsten 1ks for indoors and the Aputure C120D for exterior moonlight and light coming through the windows. Do you know what I love? I know what we see on screen has more to do with the talent behind the camera or edit, but it sure does help my self-esteem to have some of the same equipment. No camera is truly dual native, but that’s the meaning of the term. Catoline, Tokina Announces A New Vista Cinema Lens: 40mm T1.5, DZOFILM Announces new Full-Frame Vespid Prime Lenses, Sigma Announces New 105mm F2.8 DG DN MACRO lens. We were quite particular about the colour of the wallpaper we used on the corridor, frustratingly it was the most expensive one we found but the red and gold was a beautiful mix to work with but gave us a regal feel with a violent undertone. Sign up for the ProVideo Coalition weekly e-newsletter and get the most popular articles, blogs, and reviews right to your inbox. We worked till 6am 2 days in a row and everyone put in 110%, obviously having more budget would have helped and a few people helped out as a favour which saved us in the long run, but it would have been nice to get them paid properly.
On the performance shots we utilised the remote to flash it on and off to simulate lightning coming through the window. in the original footage you can see the edges of the corridor and ceiling. One other post production process we used for this video was faking a basic extension to the wide shots of the corridor by fading it to black. I mean Hi8 is going to look like Hi8. At the time of this writing neither Premiere Pro nor Avid nor FCPX supports BRAW. How did you find the right sets for your shots? They should have similar color and noise response. Regardless of the issues they’ve had along their journey with reliability, black sun hole issues and poor performance in low light, they have come damn close to perfecting the art of making affordable and reliable cinema cameras that produce the most beautiful images. The fact you can have the equivalent of a 1k daylight lamp on batteries made shooting exteriors in the garden and at the church a doddle.
A 4x crop factor on full frame. Of course. Mini XLR to XLR adapter required for XLR microphones – separate purchase. On the whole though, the Blackmagic Pocket Cinema Camera 6K (Amazon, B&H) is a great camera for filmmaking, and I would recommend it in this way: Necessary cookies are absolutely essential for the website to function properly.
Here’s a still from the 6K test: Since there’s no way to black shade in the camera directly, maybe Blackmagic Design can come up with an update to fix it.
You decide.
After the big delay on the shoot we had we had to rush quite a few shots in the bedroom and I wish i had a bit more time to properly compose and light some of the shots but it is what it is and I’m proud of how it ended up. Yes, your little pocket camera has been used on some of this year’s biggest action films. “Unlocked” DP George Richmond used Pocket Cinema Cameras to shoot select scenes. it was hard graft as I helped build the set but it was very rewarding when looking at the final piece. I’m in post production for the short film Chimera Directed by Patric Ryder and we are planning his first feature at the moment. You get DaVinci Resolve Studio 16 free! Blackmagic RAW is only usable on Resolve, for both editing and grading. It was a very tight budget I think around £2000 all in all. I was worried about how well it would turn out but think that is one of my favourite shots in the video. BRAW is only supported in Resolve.
Punch in to a closer view for manual focus.
Could you demonstrate it using a lighting diagram? 6K full frame as well as anamorphic options.
Dual Native ISO as introduced by Panasonic means if you shoot specifically in those ISOs, the footage must be similar enough to match later in post. They were amazing to work with and everyone put their all into it. “Beatriz at Dinner” DP Wyatt Garfield used a workflow supported by an UltraStudio for playback, HDLinks for monitoring and a Smart Videohub for routing; “The Mummy” DIT Francesco Sauta used DaVinci Resolve Studio, DaVinci Resolve and Smart Videohub 12×12 for on-set grading and film camera matching; “Spider-Man: Homecoming” DIT Francesco Sauta used DaVinci Resolve Studio, DaVinci Resolve and Smart Videohub 12×12 for on-set grading and DIT work; “Transformers: The Last Knight” DITs Steve Freebairn and Zach Hilton of Freehill Productions used Universal Videohub 72×72 and Smart Videohub 12×12, a SmartScope Duo monitor, DaVinci Resolve Studio, various DeckLink PCIe cards and Mini Converters for engineering, data management and 3D signaling; “Unlocked” DIT Joshua Callis-Smith used DaVinci Resolve Studio for on-set grading; and. As far as fixed pattern noise is concerned, the BMPCC 6K is more prone to it, and I haven’t seen it in the BMPCC 4K in the two cameras I’ve shot. Even with the color and grain added, it held up really well and I didn’t regret not shooting in RAW! Were there any particular colour themes you were going for? It’s the camera I own so that is always a plus to clients as it saves them renting in more gear. Rest assured, we never give our customers’ details to third parties and you can unsubscribe at any time. I’ve always Edited in Premiere, when I first got into video I started with VFX in after effects so buying creative cloud made more sense than going to different brands for different programs. You can find out more about Richard and his work below: www.facebook.com/richardoakescinematographer/, https://www.youtube.com/watch?v=D_–WoWTddc, https://www.youtube.com/watch?v=BWZKdtKtJiQ&t. My comprehensive review of the Blackmagic Pocket Cinema Camera 6K (Amazon, B&H) for filmmakers who want to make short films, web series or feature films. Could you tell me a bit about the crew and cast you chose to work with? High data rates for good image quality.
By entering your email, you agree to our Terms & Conditions and Privacy Policy. ISO 1250 is better than 3200, and matches better with ISO 400, for example. No support for cinema lenses except via a dumb adapter. Blackmagic Pocket Cinema Camera 6K Blackmagic Pocket Cinema Camera 6K. No metadata support for cinema glass.
We also get your email address to automatically create an account for you in our website. Camera switches off abruptly if battery/power fails. “Alien: Covenant” by Colorist Stephen Nakamura of Deluxe’s Company 3; “The Big Sick” by Colorist Alex Bickel of Color Collective at Technicolor PostWorks; “The Book of Henry” by Colorist Stefan Sonnenfeld of Deluxe’s Company 3; “Djam” by Colorist Olivier Dassonville for Lumières Numériques; “Girls Trip” by Colorist Andrew Francis of Sixteen19; “The Hero” by Colorist Mike Howell of Color Collective; “An Inconvenient Sequel: Truth to Power” by Colorist Leo Hallal; “Landline” by Colorist Joe Gawler of Harbor Picture Company; “Mil Coses Que Faria Per Tu” by Colorist Toni Anglada of DELA, which also used DaVinci Resolve Studio for conforming and online editing; “The Mummy” by Colorist Stefan Sonnenfeld of Deluxe’s Company 3; “My Cousin Rachel” by Colorist Adam Glasman of Goldcrest Post, which also used DaVinci Resolve Studio for conforming and online editing; “Nur ein Tag” by Colorist Felix Hüsken of Farbkult; “Un, Deux, Trois” by Colorist Alexandra Pocquet; “Wallay” by Colorist Gadiel Bendelac for Lumières Numériques; and. So the video is basically a homage to The Exorcist with a different twist, mixed with band performance. 3.5mm headphone jack as well. Redesigned and reimagined, both systems offer... Sigma adds the 105mm F2.8 DG DN MACRO lens to the Sigma Art lens line-up. We'd like to occasionally email you about our latest news, competitions, music, new services and updates.
Editing iPhone 12 HDR Video in Final Cut Pro X, Art Of The Cut Podcast Eps. Choice of shutter speed or shutter angle. Personally, I love shooting on the Ursa Mini 4.6k. CJ was a trooper and apart from looking possessed you would never know she just got discharged from hospital an hour before.
Possibly the Alexa mini, to my mind it’s the closest look to the Blackmagic that I’m used to working with, it’s also really easy to cut in with the BM as a B camera which I’ve done on a few shoots.
It’s all go. It could be a URSA Mini, Resolve, or a Pocket Cinema Camera which make great crash cameras.
The storage sizes needed are huge. We shot the whole video on the Sigma 18-35 ART 1.8 and Sigma 50-100 ART 1.8 Sigma 8-16. The Director of the music video Adam Leader is also the singer of the band. Maybe BMD can market this as some other term instead of “dual native ISO”? No support for gimbals, no control and no LANC.
This was a simple case of using white contact lenses, it’s a lot more effective than spending days in VFX. On medium to high budget productions, a cinema camera needs important functionality that the Pocket 6K lacks: Now, there are always exceptions and the BMPCC 6K can be used as an A-cam if that’s the right tool for the job. Highlight recovery tool in Resolve works sometimes and not in others. As of this review, none of the marketed SSD/cards are capable of writing 6K 50 fps in 3:1 BRAW.
All Rights Reserved. The Vespid Prime lenses come... DJI introduced the rebranded DJI Ronin S 2 and DJI Ronin SC 2. Not water or dust resistant due to vents. These are problems with the Blackmagic Pocket Cinema Camera 4K (Amazon, B&H) as well and have not been addressed so far. The house was the band’s managers house, so no issues there. You need version 16 or above to read BRAW files from the Pocket 6K. Vent at the bottom can be blocked by a large tripod plate. Dark fable media is a production company Richard started 6 years ago to specialise in music video production, but since then Richard has also been pushing into films having produced content for some of the biggest music labels in the world including Universal and EMI. April 24th, 2018 | 10 custom LUTs – put mine in four of them! Of this year’s summer worldwide film releases 25 of them used Blackmagic Design products in some way. We didn’t storyboard on this project either, as it was a homage to the classic film we wanted to recreate the classic shots from the movie so in essence we used stills from the film as our storyboard. The corridor was built in the same room as the bedroom the next day. Filmmakers go-to destination for pre-production, production & post production equipment!
If I had more CFast cards with me or at least some time to dump cards on set, I probably would have shot RAW just to be safe. I love being able to use the same cameras or software as a big Hollywood Summer Blockbuster. 2 Movies Shot On Blackmagic Pocket Cinema 4K Camera - Highly Ghosted, The Resident E.g., the camera will show a 10% warning and might switch off immediately. Probably the worst in its class. As you can see by the diagrams the setups were very simple, apart from the window netting we didn’t use any direct diffusion but we did fog out the rooms to soften the light. The Panasonic Varicam does this quite well. BMD originally announced the 4K as being able to write CinemaDNG at 60 fps but it couldn’t.
120 fps in 1080p is cropped further (windowed mode). This is my filmmakers’ review! I’m a huge Fincher fan and inspiration from him seeps into a lot of what I do as a DoP.
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