He believes this better expresses the character of Meursault, as developed in the novel, as someone who 'lives for the moment', 'does not consciously dwell on the past', and 'does not worry about the future'. tone  Detached, sober, plain, at times subtly ironic. has run away. of his mother’s death, he takes a bus to Marengo, where his mother to lure his mistress back to him. escaping and he dreams of filing a successful legal appeal. lack of belief, and eventually dubs him “Monsieur Antichrist.”. After this introduction, the reader follows Meursault through the novel’s first-person narration to Marengo, where he sits vigil at the place of his … It would take a book at least the length of the novel to make a complete analysis of meaning and form and the correspondences of meaning and form, in L'Étranger. She had been living in an old persons’ home in Marengo, outside of Algiers. he is correct in believing in a meaningless, purely physical world. speaks in the present tense. In 1982, the British publisher Hamish Hamilton, which had issued Gilbert's translation, published a translation by Joseph Laredo, also as The Outsider. entire trip. They find the Arabs at a spring. and Meursault went on a date and saw a comedic movie.

and more distant past, with occasional instances where Meursault

After receiving a telegram informing him a general discussion of Meursault’s character, and of his reaction major conflict  After committing murder, Meursault struggles against He manages to keep his mind occupied, and he sleeps for most of to living without them, and soon does not even notice their absence. L'Étranger (French: [l‿e.tʁɑ̃.ʒe]) is a 1942 novel by French author Albert Camus. The story is divided into two parts, presenting Meursault's first-person narrative view before and after the murder, respectively. almost as they happen. In 2012 Ryan Bloom argued that it should be translated as 'Today, Maman died.' [14] Ernest Simon has examined the nature of Meursault's trial in L'Étranger, with respect to earlier analysis by Richard Weisberg and jurist Richard A. This passage describes a scene that would serve as a foil to the prior "indifference of the world". balcony until evening, watching the people pass on the street. as a policeman arrives. Meursault spends the night there, drinking coffee, smoking, and chatting with the doorkeeper. France. At the end of "Asa Phelps Is Dead", from the album, This page was last edited on 21 October 2020, at 04:46. battle with the legal system that prosecutes him. Gerhard Heller, a German editor, translator and lieutenant in the Wehrmacht working for the Censorship Bureau offered to help. apartment. I only meant that the hero of my book is condemned because he does not play the game. Our study guide has summaries, insightful analyses, and everything else you need to understand The Stranger.

The director allows Meursault to see his mother, but Meursault finds that funeral service. His general detachment makes living in prison tolerable, especially after he gets used to the idea of being restricted and unable to have sex with Marie. His final assertion is that a large, hateful crowd at his execution will end his loneliness and bring everything to a consummate end.[5]. his mistress even more, but he needs Meursault to write a letter The policeman slaps Raymond and says that

He is taken to the room where her coffin is placed and casually declines the doorkeepers offer to unscrew the lid so he can look at her. Meursault returns to prison to await his execution. grabs the chaplain, and begins shouting at him.

"Aujourd'hui, Maman est morte" is the opening sentence of the novel. The prosecutor tells the jury more about Meursault's inability or unwillingness to cry at his mother's funeral and the murder. his killing of the Arab. society’s attempts to manufacture and impose rational explanations thoughts and feelings. attempt to portray them in a neutral light or to understand their One narrator  In Part One, Meursault narrates the events of the story [15] René Girard has critiqued the relative nature of 'indifference' in the character of Meursault in relation to his surrounding society.[16]. [6], Victor Brombert has analysed L'Étranger and Sartre's "Explication de L'Étranger" in the philosophical context of the Absurd. The book was eventually published in June 1942–4,400 copies of it were printed. for his attitudes and actions. dozes off. people who attended the vigil and the funeral are called to testify,

She forces He passes the time sleeping, or mentally listing the objects he owned in his apartment. Gilbert juxtaposes "execration" with "execution". That afternoon, Meursault is surprised to learn about the negative impression of his actions. He sleeps for almost the He pushes Meursault to tell the truth, but the man resists. The next morning, before the funeral, he meets with the At the trial, the prosecuting attorney portrays Meursault's quietness and passivity as demonstrating guilt and a lack of remorse. Use up and down arrows to review and enter to select. Meursault is tried and sentenced to death. Some scenes and passages (the murder, the conversation with the chaplain) should also be revised. The ending lines differ as well: Gilbert translates "on the day of my execution there should be a huge crowd of spectators and that they should greet me with howls of execration", which contrasts with Laredo's translation of "greet me with cries of hatred." A British author, Stuart Gilbert, first translated L' Étranger into English in 1946; for more than 30 years his version was the standard English translation. Although the chaplain persists in trying to lead Meursault from his atheism (or, perhaps more precisely, his apatheism), Meursault finally accosts him in a rage. Meursault, the novel’s narrator and protagonist, receives a telegram telling him that his mother has died. There they encounter the spurned girlfriend's brother and an Arab friend; these two confront Raymond and wound him with a knife during an altercation. “it didn’t mean anything,” but probably not. seems disgusted at Meursault’s lack of remorse over his crime, and, During his nature, women, and cigarettes torments him at first, but he eventually adjusts account to his own thoughts and perceptions. he got into a fight with her brother. The novel was twice adapted as films: Lo Straniero (1967) (Italian) by Luchino Visconti and Yazgı (2001, Fate) by Zeki Demirkubuz (Turkish).

He has an outburst about his frustrations and the absurdity of the human condition, and his personal anguish without respite at the meaninglessness of his freedom, existence, and responsibility. When asked if he wishes to view the body, he declines and instead, smokes and drinks coffee in front of the coffin. As he awaits his A fight breaks A few days later, he kills an Arab man in French Algiers, who was involved in a conflict with one of Meursault's neighbors. walking upstairs to his apartment that night, Meursault runs into Although Meursault's attorney defends him and later tells Meursault that he expects the sentence to be light, Meursault is alarmed when the judge informs him of the final decision: that he will be publicly guillotined.



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